- Ginkaku-ji Yuki (Snow at the Silver Pavilion)

The serene woodblock print "Ginkaku-ji Yuki" (Snow at the Silver Pavilion) by Takeji Asano (1900–1999) is from the celebrated series Snow, Moon and Flowers of the Famous Temples in Kyoto. This peaceful composition beautifully depicts the Silver Pavilion (Ginkaku-ji) blanketed in fresh snow. The quiet winter landscape, elegant temple architecture, and a single snow-covered tree create a harmonious composition that perfectly captures the tranquil beauty of Kyoto in winter.

The left margin bears the date Shōwa 16 nen 1 gatsu, (January 1941) and the series title Kyōraku Meisatsu Setsugekka no Uchi (Snow, Moon and Flowers of the Famous Temples in Kyoto). The title "Ginkaku-ji Yuki" (Snow at the Silver Pavilion) appears in the bottom margin. The lower right margin is inscribed "Takeji suri" (printed by Takeji), while the lower left margin bears "Takeji ga koku" (designed and carved by Takeji), reflecting the artist's direct involvement in every stage of the printmaking process.

Originally built in the late 15th century by Shogun Ashikaga Yoshimasa as his retirement villa, Ginkaku-ji later became a Zen temple. Officially named Jishō-ji, it is renowned for its refined wabi-sabi aesthetic, celebrating simplicity, restraint, and the beauty of imperfection. Although it was never covered in silver, the temple's name is said to evoke the luminous appearance of the building beneath the moonlight. Today, Ginkaku-ji is one of Kyoto's most beloved landmarks and is recognized as part of the UNESCO World Cultural Heritage Historic Monuments of Ancient Kyoto.

Technique: Woodblock
Paper size: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Image size: 8 7/8 × 14 1/4 inches (23.5 × 36.2 cm)
Sheet number: N/A
Date: 1941
Signed: Black "Takeji" signature in the lower left corner of the image.
Condition: Overall, fair condition for its age. There is noticeable age toning throughout the sheet, along with toning and discoloration on the verso, as shown in the photographs. A slight mat line is visible along the left edge of the image. The edges of the verso show visible traces of previously removed tape. Despite these age-related condition issues, the print remains attractive and displays well. Please refer to the photographs for details. The price has been adjusted accordingly.

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